Concert history of Ensemble 14
-Part 1-| History -1- | History -2- | History -3- |
Ensemble 14
main page |
| Friday, 2 April, 1999 | |
| Okusawa Church | |
| Conductor | Hideyuki Tsuji |
| Pianoforte | Shoko Tashiro |
| Bible reader | Minister: Isamu Munei |
| Vocal performance | Chor of St. Matthew Passion, Setagaya-OkusawaiChorus
primusj, Ensemble 14iChorus secundusj |
| Program | J.S.Bach / St. Matthew Passion, BWV244 (Accompanied by the piano) |
| Saturday, 18 September, 1999 | |||
| Luther Ichigaya Center | |||
| Conductor |
Hideyuki Tsuji | ||
| Orchestra |
La Strada | ||
| Violin | Kunisato Gamo, Misako Otani | ||
| Viola da gamba | Atsuko Hasegawa |
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| Violoncello | Nakako Nishizawa |
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| Recorder | Jun-ichi Furuhashi |
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| Basoon/Recorder | Koji Ezaki |
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| Organ |
Itsuko Noto |
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| Vocal performance | Ensemble 14 | ||
| Programs |
J.S.Bach / Cantata No.150 |
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| "Nach dir, Herr, verlanget mich" | |||
| -Unto Thee, O Lord, do I lift up my soul- | |||
| Soprano; Akemi Murohashi (3), Reiko Takemoto (7): Alto; Aiko Tomioka: Tenor; Naohiro Kobayashi: Bass; Takashi Takeuchi | |||
| J.S.Bach / Cantata No.155 | |||
| "Mein Gott, wie lang, ach lange" | |||
| -My God, how long, ah! How long?- | |||
| Soprano; Atsuko Kawamura (1), Akemi
Murohashi
(4): Alto; Koichi Nakagami: Tenor; Shuuji Naitou: Bass
Hidehiro Hayashi |
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| J.S.Bach / Cantata No.106 | |||
| "Gottes Zeit ist die allerbeste Zeit" | |||
| -God's own time is the very best of times- | |||
| Soprano; Sachiho Suzuki: Alto; Akiko Oishi: Tenor; Takahiro Koizumi: Bass; Takashi Oishi (2), Takashi Takeuchi (3) | |||
| Aegis | Japan Choral
Directors Association |
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| Saturday, 1 April, 2000 | ||||
| Den-en Chofu Church | ||||
| Conductor |
Hideyuki Tsuji | |||
| Evangelist |
Hiroshi Oshima |
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| Jesus |
Joji Obara |
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| Bass |
Nobuhiro Sakai (Pilate, 56, 57) | |||
| Orchestra |
Millennium Bach Ensemble | |||
| Orchestra Primus |
Violin | Ritsuko Ohnishi, Kentaro Nozawa, Hiroko Matsukawa,
Kayoko
Okuyama |
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| Viola | Naoko Tsudzukihashi |
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| Violoncello | Sayaka Ito |
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| Double bass | Tomoyuki Yanagisawa |
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| Orchestra Secundus |
Violin | Rika Nabetani, Takumi Yoshida, Mariko Muramoto, Mika
Uenoyama |
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| Viola | Atsuko Matsuzaki |
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| Violoncello | Takuji Matsumoto |
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| Double bass | Tomonori Tsunotani |
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| Viola da gamba | Chima Kawahara |
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| Flute | Mitsuhiro Ikenotani, Tokiko Mikami |
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| Oboe | Miwa Sasaki, Ai Sasaki |
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| Basoon | Naoya Inoue | |||
| Cembalo | Mamiko Nagahisa |
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| Organ | Itsuko Noto |
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| Vocal performance | Chor of St. Matthew Passion,
Setagaya-Okusawa
(Chorus primus), Ensemble 14 (Chorus secundus) |
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| Program |
J.S.Bach / St. Matthew Passion BWV244 | |||
| Aegis | Japan Choral
Directors Association |
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| Saturday, 9 September, 2000 | |||
| Kanagawa Kenmin Hall, Small Hall |
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| Conductor |
Hideyuki Tsuji | ||
| Orchestra |
Millennium Bach Ensemble | ||
| Violin | Ritsuko Ohnishi, Rika Nabetani |
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| Viola | Kumi Nakashima, Mariko Muramoto | ||
| Violoncello | Sayaka Ito |
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| Double bass | Tomoyuki Yanagisawa |
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| Oboe | Miwa Sasaki |
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| Basoon | Naoya Inoue | ||
| Recorder | Jun-ichi Furuhashi |
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| Organ | Naoya Otsuka |
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| Vocal performance | Ensemble 14 | ||
| Programs | J.S.Bach / Cantata No.196 | ||
| "Der Herr denket an uns" | |||
| -The Lord careth for us- | |||
| Soprano; Akemi Murohashi: Tenor; Yoji Yamada: Bass; Takashi Oishi | |||
| J.S.Bach / Cantata No.131 | |||
| "Aus der Tiefen rufe ich, Herr, zu dir" | |||
| -Out of the depths I cry to thee, o Lord. Lord, hear my voice!- | |||
| Tenor; Shuuji Naitou: Bass; Takashi Takeuchi | |||
| J.S.Bach / Cantata No.182 | |||
| "Himmelskoenig, sei willkommen" | |||
| -King of Heaven, be Thou welcome- | |||
| Alto; Koichi Nakagami: Tenor; Takahiro Koizumi: Bass; Takashi Oishi (3), Takashi Takeuchi (4) | |||
| Saturday, 17 March, 2001 | |||
| Sumida Triphony Hall, Small Hall |
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| Conductor |
Hideyuki Tsuji | ||
| Orchestra |
Millennium Bach Ensemble | ||
| Violin | Ritsuko Ohnishi, Rika Nabetani |
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| Viola | Naoko Tsudzukihashi |
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| Violoncello | Sayaka Ito |
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| Double bass | Tomoyuki Yanagisawa |
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| Trumpet |
Shiro Hirai |
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| Oboe | Miwa Sasaki, Daichi Kawato |
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| Basoon | Masamiti Sasazaki |
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| Organ | Itsuko Noto |
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| Vocal performance | Ensemble 14 | ||
| Programs | J.S.Bach / Cantata No.22 | ||
| "Jesus nahm zu sich die Zwoelfe" | |||
| -Jesus took under Him the twelve- | |||
| Alto; Koichi Nakagami: Tenor; Takashi Oishi (1), Yoji Yamada (4): Bass; Yoji Kinoshita (1), Hiroki Ohta (3) | |||
| J.S.Bach / Cantata No.48 | |||
| "Ich elender Mensch, wer wird mich erloesen" | |||
| -O wretched man that I am! Who shall deliver me- | |||
| Alto; Koichi Nakagami (2), Yuko Kinoshita (4): Tenor; Shuuji Naitou (5), Yoshiaki Murohashi (6) | |||
| J.S.Bach / Cantata No.23 | |||
| "Du wahrer Gott und Davids Sohn" | |||
| -Thou very God and David's son- | |||
| Soprano; Hiroko Kitou: Alto; Koichi Nakagami: Tenor; Takahiro Koizumi | |||
| Saturday, 29 September, 2001 | |||
| Kawaguchi Lilia, Concert Hall |
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| Conductor |
Hideyuki Tsuji | ||
| Orchestra |
Millennium Bach Ensemble | ||
| Violin | Ritsuko Ohnishi, Satoki Nagaoka, Hiromi Isoda, Tomomi
Tokunaga |
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| Viola | Naoko Tsudzukihashi |
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| Violoncello | Nakako Nakazawa |
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| Double bass | Tomoyuki Yanagisawa |
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| Horn |
Shiro Hirai, Tomoko Oya |
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| Oboe | Miwa Sasaki, Ai Sasaki, Kyoko Watanabe | ||
| Basoon | Naoya Inoue | ||
| Organ | Itsuko Noto |
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| Vocal performance | Ensemble 14 | ||
| Programs | J.S.Bach / Cantata No.1 | ||
| "Wie schoen lechtet der Morgenstern" | |||
| -How beautifully gleams the morning star- | |||
| Soprano; Akemi Murohashi: Tenor; Yoji Yamada (2), Shuuji Naitou (5): Bass; Naohiro Kobayashi | |||
| J.S.Bach / Cantata No.27 | |||
| "Wer weiss, wie nahe mir mein Ende!" | |||
| -Who knows how near is my end?- | |||
| Soprano; Akiko Kashima (1), Hiroko Kitou (4): Alto; Koichi Nakagami (1), Manami Shigeno (3): Tenor; Yoshiaki Murohashi: Bass ; Takashi Takeuchi | |||
| J.S.Bach / Cantata No.140 | |||
| "Wachtet auf, ruft uns die Stimme" | |||
| -Wake up, cries the watchmen's voice- | |||
| Soprano; Yuko Kinoshita (3), Atsuko Kawamura (6): Tenor; Yoshiaki Murohashi: Bass; Takashi Oishi (3), Takashi Takeuchi(6) | |||
| Aegis | Japan Choral
Directors Association |
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| Saturday, 16 March, 200 | |||
| Mitaka City Arts Center, Concert Hall |
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| Conductor |
Hideyuki Tsuji | ||
| Orchestra |
Millennium Bach Ensemble | ||
| Violin |
Ritsuko Ohnishi, Hiromi Isoda |
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| Viola | Naoko Tsudzukihashi, Atsushi Yoshida |
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| Violoncello | Nakako Nishizawa |
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| Double bass | Tomonori Tunotani |
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| Oboe | Miwa Sasaki, Megumi Arai |
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| Basoon | Naoya Inoue |
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| Organ | Itsuko Noto |
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| Vocal performance | Ensemble 14 | ||
| Programs |
J.S.Bach / Cantata No.36 | ||
| "Schwingt freudig euch empor" | |||
| -Raise yourself up joyfully- | |||
| Soprano; Akemi Murohashi (2), Hiroko Kitou (7): Alto; Akiko Oishi: Tenor; Yoshiaki Murohashi: Bass; Takashi Takeuchi | |||
| J.S.Bach / Cantata No.61 | |||
| "Nun komm, der Heiden Heiland" | |||
| -Come now, Saviour of the gentiles- | |||
| Soprano; Akemi Murohashi: Tenor; Yoji Yamada (2), Yoshiaki Murohashi (3): Bass; Takashi Oishi | |||
| J.S.Bach / Missa Brevis in G minor, BWV235 | |||
| Alto; Koichi Nakagami: Tenor; Shuuji Naitou: Bass; Takashi Takeuchi | |||
| Aegis | Japan Choral
Directors Association |
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| History -1- | History -2- | History -3- | Ensemble 14 main page |